Gravity and Grace

Exhibition by Isabel Simões
Opening 13th of June, 19:00 – 23:00
From 13th June to 4th July
 
 
An installation of painting-objects dealing with weight and light under the title of a text by Simone Weil.
“All the natural movements of the soul are controlled by laws analogous to those of physical gravity. Grace is the only exception. We must always expect things to happen in conformity with the laws of gravity unless there is supernatural intervention.”
Simone Weil, Gravity and Grace [La pesanteur et la grâce (1947)]. Routledge & Kegan Paul, 1952.
Between 13 th June and 4 th July – visit possible during events in Altes Finanzamt and by appointment:altesfinanzamt@gmail.comIsabelcsim@gmail.com
 

CC Spirit


Grégoire Blunt & Austėja Vilkaitytė
 
Opening: Wednesday, 11 June 2014 7pm-12am

 

Performance: 8pm
 

This distinct, pleasurable tingling sensation in the head, scalp, back, and peripheral regions of the body you feel in response to the visual, auditory, tactile, olfactory and cognitive stimuli of the chameleon charming night.

This night appears to you in a morphing narrative of a hypnotic dance performance by Austėja Vilkaitytė (Stella) as well as all white eye gazing through the blue liquor haze by Grégoire Blunt. Plus 3D text with Eglė Kulbokaitė. Plus plus plus DJ SAMOLN

Choregraphed Transparency

Exhibition by Santiago Taccetti and Lorenzo Sandoval.
Opening 15th of April, 19:00
15th  – 24th of April
………………………………..

It is mainly invisible walls made of crystal that define most of the spaces where our bureaucratic fluxes inhabit: tax offices, shopping malls, airports or banks. For a long time we have known them as non-places, they are the epitome of the architecture of transparency. These transit spaces represent in their very glass construction what is supposed to be hidden. In a way comparable to what happened with the appearance of credit cards and the ongoing disappearance of money as a physical object, today a similar process is happening with the representation of the infrastructures of power. On the transparent walls are some floating corporative logos as the customer care person is always within our sight. While one does not perceive the symmetry of power as it happened before, the architecture of transparency pushes our steps in a stealthy fashion. This transparency hides the rules of our regulated lives in its own immateriality.

In this exposed nothingness, we individuals are choreographed through the perverse management of our desire, very well described by Byung-Chul Han. In this mechanic conception of all movements, synchronized once more by an interior panopticon composed in our time by of a digital substance, it would seem that the gestures of defiance are the ones that propose a disruption in this machinery.

_Doval Holt, April 2015

Opening 15th of April at 19:00.
Exhibition continues until April 24th (visit possible by appointment)

http://www.taccetti.com/
http://cargocollective.com/lorenzosandoval

With the support of:

Gabriela Acha,
Mirak Jamal,
and John Holten

Shirin Sabahi – Muted Fanfare for the Shy

 

***Thursday, March 6th 2014, 8 p.m.
Shirin Sabahi – Muted Fanfare for the Shy
Vernissage with sound performance by Bill Dietz, played by Héctor Rey (violin) and Rishin Singh (trombone)
Exhibition continues until March 28th (visit possible by appointment)
Title of the exhibition by Farnoosh Fathi

















The exhibition contains a film from a greenhouse and a film prop of sorts. Of sorts as not having been built to be in the film, the prop is made after the shooting and based on an object in the film. Displayed under the same roof this time but separately in other occasions, both works stem from an interest in how objects gain importance and sway between their function and their worth.